{"id":5810,"date":"1988-01-26T12:00:00","date_gmt":"1988-01-26T12:00:00","guid":{"rendered":"http:\/\/localhost\/Agod\/2026\/09\/08\/106-the-world-s-biggest-and-best-australian-indigenous-aboriginal-part-1\/"},"modified":"2026-09-12T19:40:55","modified_gmt":"2026-09-12T19:40:55","slug":"106-the-world-s-biggest-and-best-australian-indigenous-aboriginal-part-1","status":"publish","type":"post","link":"https:\/\/hrprimo.com\/AGOD\/01\/26\/106-the-world-s-biggest-and-best-australian-indigenous-aboriginal-part-1\/1988\/","title":{"rendered":"The world&#8217;s biggest and best Australian, Indigenous, Aboriginal Art Collection"},"content":{"rendered":"\n<div class=\"wp-block-group\"><div class=\"wp-block-group__inner-container is-layout-constrained wp-block-group-is-layout-constrained\">\n<p class=\"wp-block-paragraph\">PART 1.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">AGOD &#8211; Australian Gallery of Dreamings &amp; EBEScontemporary have a responsibiliy to enable our indigenous artists : AGOD seeks to help them eductate the world&#8217;s soul = SEASONS is the key to ongoing harmony (living within our means \/ climate \/ ecosystem:-<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/www.art-almanac.com.au\/six-seasons\">https:\/\/www.art-almanac.com.au\/six-seasons<\/a><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/creativenative.com.au\/blogs\/blog\/aboriginal-and-torres-strait-islander-seasons\">https:\/\/creativenative.com.au\/blogs\/blog\/aboriginal-and-torres-strait-islander-seasons<\/a><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/artgallery.wa.gov.au\/whats-on\/exhibitions\/six-seasons\/\">https:\/\/artgallery.wa.gov.au\/whats-on\/exhibitions\/six-seasons\/<\/a><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/yallingupaboriginalart.com.au\/the-six-seasons-of-noongar-country\">https:\/\/yallingupaboriginalart.com.au\/the-six-seasons-of-noongar-country<\/a><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">&nbsp;We have the world&#8217;s biggest and best Australian Indigenous, Aborigianl Art Collection : so ask us if you want a painting = big or small; cheap or expansive&#8230;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Ranking a massive, specific list of Australian Indigenous artists by their market sales prices requires looking closely at secondary market data (such as auction records tracked by&nbsp;<a href=\"https:\/\/www.artrecord.com\/\" target=\"_blank\" rel=\"noopener\">Australian Art Auction Records (AAAR)<\/a>&nbsp;and major sales at Sotheby&#8217;s and Deutscher + Hackett).&nbsp;[<a href=\"https:\/\/www.afr.com\/life-and-luxury\/arts-and-culture\/13-records-in-new-york-as-buyers-spend-up-on-indigenous-art-20230523-p5dam6\" rel=\"noopener\" target=\"_blank\">1<\/a>]<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">The 60+ artists provided break down into distinct tiers based on their primary secondary market historical price records, ranging from multi-million-dollar masters down to regional fine art painters.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Tier 1: The Seven-Figure Masters ($1,000,000 \u2013 $5,000,000+)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">These three legendary pioneers sit at the absolute pinnacle of Australian art history. Their absolute top masterpieces regularly cross into millions of dollars.&nbsp;[<a href=\"https:\/\/www.theunderbidder.net\/p\/global-recognition-for-first-nations\" rel=\"noopener\" target=\"_blank\">1<\/a>]<\/p>\n\n\n\n<figure class=\"wp-block-image\"><img decoding=\"async\" src=\"https:\/\/static-assets.artlogic.net\/c_limit,f_auto,fl_lossy,q_auto\/ws-artlogicwebsite2423\/usr\/library\/attachments\/news\/news--content\/20260811221414\/ecqawkuhtyql2tbroc1wjg.png\" alt=\"\" \/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><u>CLIFFORD POSSUM TJAPALTJARRI<\/u><\/strong>: Holds the ultimate record in this group with&nbsp;<em>Warlugulong<\/em>&nbsp;selling for&nbsp;<strong>$2.4 million AUD<\/strong>&nbsp;at Sotheby&#8217;s.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/agod.com.au\/artists\/60-clifford-possum-tjapaltjarri\">https:\/\/agod.com.au\/artists\/60-clifford-possum-tjapaltjarri<\/a><\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\" \/>\n\n\n\n<figure class=\"wp-block-image\"><img decoding=\"async\" src=\"https:\/\/static-assets.artlogic.net\/c_limit,f_auto,fl_lossy,q_auto\/ws-artlogicwebsite2423\/usr\/library\/attachments\/news\/news--content\/20260811221414\/kbp012waqtcabnjtktwx4w.png\" alt=\"\" \/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><u>EMILY KAME KNGWARREYE<\/u><\/strong>: Her masterpiece&nbsp;<em>Earth&#8217;s Creation I<\/em>&nbsp;famously commanded&nbsp;<strong>$2.1 million AUD<\/strong>. She dominates auction market volumes, making up large percentages of total annual First Nations fine art sales.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/agod.com.au\/artists\/29-emily-kame-kngwarreye\">https:\/\/agod.com.au\/artists\/29-emily-kame-kngwarreye<\/a><\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\" \/>\n\n\n\n<figure class=\"wp-block-image\"><img decoding=\"async\" src=\"https:\/\/static-assets.artlogic.net\/c_limit,f_auto,fl_lossy,q_auto\/ws-artlogicwebsite2423\/usr\/library\/attachments\/news\/news--content\/20260811221414\/wjxz2xl4q1kzkonmaixpwa.png\" alt=\"\" \/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><u>JOHNNY WARANGKULA TJUPURRULA<\/u><\/strong>: A founding Papunya Tula heavy hitter whose water dreamings broke a massive benchmark, fetching&nbsp;<strong>$US762,000 (~$1.15 million AUD)<\/strong>.&nbsp;[<a href=\"https:\/\/www.sbs.com.au\/nitv\/article\/kngwarreye-painting-breaks-own-record-after-selling-for-2-1-million\/if2z41efc\" rel=\"noopener\" target=\"_blank\">1<\/a>,&nbsp;<a href=\"http:\/\/www.cnn.com\/2007\/WORLD\/asiapcf\/07\/25\/australia.art.reut\/\" rel=\"noopener\" target=\"_blank\">2<\/a>,&nbsp;<a href=\"https:\/\/www.afr.com\/life-and-luxury\/arts-and-culture\/13-records-in-new-york-as-buyers-spend-up-on-indigenous-art-20230523-p5dam6\" rel=\"noopener\" target=\"_blank\">3<\/a>,&nbsp;<a href=\"https:\/\/www.smh.com.au\/national\/record-prices-at-art-sale-20030729-gdh6id.html\" rel=\"noopener\" target=\"_blank\">4<\/a>,&nbsp;<a href=\"https:\/\/www.theunderbidder.net\/p\/global-recognition-for-first-nations\" rel=\"noopener\" target=\"_blank\">5<\/a>]<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/agod.com.au\/artists\/70-johnny-warangkula-tjupurrula\">https:\/\/agod.com.au\/artists\/70-johnny-warangkula-tjupurrula<\/a><\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\" \/>\n\n\n\n<p class=\"wp-block-paragraph\">Tier 2: The Six-Figure Blue-Chip Pioneers ($100,000 \u2013 $750,000+)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">These foundational artists represent the critical historical core of Western Desert and Utopia art. Their elite period canvases reliably fetch six figures at high-end auctions.<br>4.&nbsp;<strong><u>MICK NAMARARI TJAPALTJARRI<\/u><\/strong>: The Marnpi master whose elite minimal works have topped out over&nbsp;<strong>$450,000 AUD<\/strong>&nbsp;($302,400 USD).<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/agod.com.au\/artists\/81-mick-namarari-tjapaltjarri\">https:\/\/agod.com.au\/artists\/81-mick-namarari-tjapaltjarri<\/a><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">5.&nbsp;<strong>ANATJARI TJAMPITJINPA (NAMPITJINPA)<\/strong>: Early foundational Papunya Tula maestro whose historical 1970s boards easily surpass $150,000 \u2013 $250,000+ AUD.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/agod.com.au\/artists\/171-anatjari-tjampitjinpa\/6.\u00a0BILLY STOCKMAN TJAPALTJARRI: One of the legendary original Papunya founders whose historical pieces and early boards command heavy premium prices.\">https:\/\/agod.com.au\/artists\/171-anatjari-tjampitjinpa\/6.&nbsp;BILLY STOCKMAN TJAPALTJARRI: One of the legendary original Papunya founders whose historical pieces and early boards command heavy premium prices.<\/a><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/agod.com.au\/artists\/170-billy-stockman-tjapaltjarri\/7.\u00a0MINNIE PWERLE: The iconic master of the Utopia style, known for wild, fluid lines; top scale canvases fetch between $100,000 and $150,000 AUD.\">https:\/\/agod.com.au\/artists\/170-billy-stockman-tjapaltjarri\/7.&nbsp;MINNIE PWERLE: The iconic master of the Utopia style, known for wild, fluid lines; top scale canvases fetch between $100,000 and $150,000 AUD.<\/a><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/agod.com.au\/artists\/30-minnie-pwerle\/8.\u00a0NINGURA NAPURRULA\">https:\/\/agod.com.au\/artists\/30-minnie-pwerle\/8.&nbsp;NINGURA NAPURRULA<\/a><\/p>\n<\/div><\/div>\n\n\n\n<p class=\"wp-block-paragraph\">Januaary 26, 1988<\/p>\n","protected":false},"excerpt":{"rendered":"<p>PART 1. AGOD &#8211; Australian Gallery of Dreamings &amp; EBEScontemporary have a responsibiliy to enable our indigenous artists : AGOD seeks to help them eductate the world&#8217;s soul = SEASONS is the key to ongoing harmony (living within our means \/ climate \/ ecosystem:- https:\/\/www.art-almanac.com.au\/six-seasons https:\/\/creativenative.com.au\/blogs\/blog\/aboriginal-and-torres-strait-islander-seasons https:\/\/artgallery.wa.gov.au\/whats-on\/exhibitions\/six-seasons\/ https:\/\/yallingupaboriginalart.com.au\/the-six-seasons-of-noongar-country &nbsp;We have the world&#8217;s biggest and best [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"agod_source_url":"","agod_migration_status":"","agod_source_subtitle":"","footnotes":""},"categories":[1],"tags":[],"class_list":["post-5810","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"_links":{"self":[{"href":"https:\/\/hrprimo.com\/AGOD\/wp-json\/wp\/v2\/posts\/5810","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/hrprimo.com\/AGOD\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/hrprimo.com\/AGOD\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/hrprimo.com\/AGOD\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/hrprimo.com\/AGOD\/wp-json\/wp\/v2\/comments?post=5810"}],"version-history":[{"count":1,"href":"https:\/\/hrprimo.com\/AGOD\/wp-json\/wp\/v2\/posts\/5810\/revisions"}],"predecessor-version":[{"id":8866,"href":"https:\/\/hrprimo.com\/AGOD\/wp-json\/wp\/v2\/posts\/5810\/revisions\/8866"}],"wp:attachment":[{"href":"https:\/\/hrprimo.com\/AGOD\/wp-json\/wp\/v2\/media?parent=5810"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/hrprimo.com\/AGOD\/wp-json\/wp\/v2\/categories?post=5810"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/hrprimo.com\/AGOD\/wp-json\/wp\/v2\/tags?post=5810"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}